--- Statement ---
Statement
His practice is based on reduction as a method of expansion.It investigates how minimal shifts
within strict systems can generate complex visual fields. „Line, surface and spatial tension" become
parameters within an open structure rather than fixed composition.
Within carefully constructed visual systems, perception is modulated through order, repetition, and
controlled variation.
The works are not conceived as isolated images but as parts of evolving structures. Paintings and objects
operate as serial systems. Each work is part of a larger process in which order, deviation and repetition define
a continuous visual development.
The aim is not representation, but the articulation of perception through structure.