Bregenz

  • Installation view of Line – Circle – Movement by Christian Eder at Bildraum Bodensee, showing geometric concrete paintings and spatial relations between line, circle and movement.
  • Concrete painting installation by Christian Eder at Bildraum Bodensee, exploring structural rhythm, circular form and spatial perception.
  • Concrete painting installation by Christian Eder at Bildraum Bodensee, exploring structural rhythm, circular form and spatial perception.
  • Detail of a concrete painting by Christian Eder, emphasizing line structure, surface tension and circular geometry.
  • Detail of a concrete painting by Christian Eder, emphasizing line structure, surface tension and circular geometry.
  • Large-scale wall installation by Christian Eder using circular forms and stretched rubber connections to investigate structural rhythm, tension and perception.

Bregenz:  Exhibition  Line – Circle – Movement, Bildraum Bodensee, Bregenz

Bregenz functions as a recurring exhibition context within
Christian Eder’s practice. Works are presented in relation to
spatial contexts, where they are re.situated and brought into
different constellations.

In Line – Circle – Movement at Bildraum Bodensee, noncolor
painterly systems developed in the studio in Illmitz were transferred
for the first time into a larger architectural context, where line, circular
form and modular objects unfold as spatial constellations.

Through reduction, repetition and shifting geometries, the exhibition
explored the dynamic relation between order, movement and perception.